Lines of Liberation

Akshara Ashok, illustrator, always felt that she was being silenced. But that did not stop her from founding Happy Fluff Comics. She illustrates playful characters and delivers sensitive topics in a funny way, using daily situations and questioning social conditioning. Excerpts from the interview.

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Industrial Economist (IE): Your comics gently question societal ex­pectations placed on women. Can you give the reason behind exploring these themes?
Akshara Ashok (AA): While growing up, I saw the double standards and how women are being conditioned to be a “perfect woman” with rules. And for men it was entirely differ­ent. Illustrations became a way to process the confusion I had in me, as well as to break the boundaries posed on women without being preachy. Humour felt like a softer en­try point without attacking people. So through my Happy Fluff comics, I started including women existing outside expectations. Also, most of the women are trying to unlearn the conditioning, so this was the main reason I started. As my life changed, the work changed too, drawing about grief, pets and mental health helped me find peace. If readers feel seen or less alone, that’s enough for me.

IE: How do you define women em­powerment?
AA: Women empowerment is inde­pendence. A lot of us think we are independent, but we are not. We are still answerable to someone, either our husband or parents and sometimes we are not given the op­portunity to express ourselves. A lot of women started work­ing and earning, but we can find homes where wom­en will have to do the domestic chores even after a long day of work. Some say feminism is no longer needed be­cause women work and earn, but we are only at the beginning, with a long way to go. The freedom to choose without pres­sure and without being judged is what empowerment means to me.

IE: What have been your personal hur­dles to be here today?
AA: Most families never consider art as a career. Lot of people did not under­stand when I started illustrating about topics that question societal norms. Even my parents were not happy in the beginning. Crossing through judg­ment, facing bias were somethings I had to go through because of my theme and content. I was anonymous in the beginning and people assumed that I was from the west and were recep­tive. But when I said I’m from India, the reaction changed. I saw the difference in the way they treated my content. I noticed the shift, but now things are changing and people say that they can connect with my art.

IE: What would you like to tell young women?
AA: Creative careers may look glam­orous, but they come with real risks. If you already have a job, don’t quit impulsively. Build your passion as a side hustle until it can sustain you financially. Success takes time and courage, and every choice comes with challenges. For young women espe­cially, time is crucial. Society often rushes them into major life decisions, be it either marriage or career. They do not have space to explore who they truly are. Growth should come from self-awareness, not fear or fantasy. If possible, invest time in understanding yourself first. When your choices are rooted in clarity and patience, they become far more powerful and sus­tainable.

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